Monday, January 6, 2020

How Poets Describe Their Attitude to Place in Several...

How Poets Describe Their Attitude to Place in Several Works of Poetry Poets often write about the place they live in or come from. I am going to examine how poets how poets express their relationship to a particular place while considering their intentions, how thoughts and feelings are expressed, the use of language, connections between different poems and include my personal response. In Hotel Room, 12th Floor Norman McCaig is writing about America. We know that he is more precisely writing about New York because he mentions the Empire State Building and the Pan Am skyscraper. We know his place is America because he uses the word sidewalks which is essentially an American terminology†¦show more content†¦These lines state his feeling that no matter how civilised a place may seem or how technologically advanced it may be, there is no way that the primitive urges can be covered over and stopped. McCaig contrasts the sophisticated modern technology of the city with the Wild West. The Wild West dominates over the technology of the city and the technology of the city is being used as a cover for uncivilised ways. McCaig uses time structure of day and night as contrasts and metaphorically personifies midnight in the phrase but now midnight has come in because midnight doesnt literally come in as such. The fact that the second stanza begins with But midnight is not so easily defeated indicates that despite the technology making places civilised, there is still a native and primitive, uncivilised midnight in us all. The phrases warwhoops continually ululating, broken bones, blood glazed on sidewalks and harsh screaming emphasises the brutality of the frontier. The statement not so easily defeated exaggerates the sense that this native reaction is always with us and could be unleashed at any time. Even though the poem Brooklyn Cop by McCaig is essentially about a person rather than a place, it shares the same idea as Hotel Room, 12th Floor. 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